{"title":"Google","description":"","products":[{"product_id":"800tungsten-c41-36exp-35mm-high-speed-color-negative-135","title":"800Tungsten High Speed Color Negative Film, 35mm","description":"\u003ch3\u003eMotion picture film for still photographers!\u003c\/h3\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003cstrong\u003eCINESTILL 800Tungsten\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a unique color film for still photographers. This 800 speed tungsten balanced color negative film is based on the same gold standard motion picture technology used by top cinematographers around the world. Designed for difficult low light tungsten situations, this flexible film is suitable for use in different lighting situations to achieve a variety of looks. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOur new and improved manufacturing process now extends the shelf life of 800T, with less noticeable artifacts after expiration. This advanced motion picture emulsion is optimized for a hybrid workflow, ideal for scanning, and safe to process in standard C-41 photo lab machines or Cs41 processing at home, but it may also be processed in Cs2 chemistry for low-contrast motion picture negatives. It also produces a complimentary contrast curve for optical printing on RA-4 paper when processed in C-41 chemistry. Treat this film as a high speed 800 ISO film for C-41 processing and push process whenever needed up to 3200 ISO!\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- SnapWidget --\u003e\n\u003cp\u003e\u003cscript src=\"https:\/\/snapwidget.com\/js\/snapwidget.js\"\u003e\u003c\/script\u003e \u003clink href=\"https:\/\/snapwidget.com\/stylesheets\/snapwidget-lightbox.css\" rel=\"stylesheet\"\u003e \u003cscript src=\"https:\/\/snapwidget.com\/js\/snapwidget-lightbox.js\"\u003e\u003c\/script\u003e \u003ciframe src=\"https:\/\/snapwidget.com\/embed\/397048\" class=\"snapwidget-widget\" style=\"border: none; overflow: hidden; width: 100%;\" title=\"#CineStill800T Scrolling\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cstrong\u003eRecommended acceptable exposure for push processing:\u003c\/strong\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e   No push - EI 200-1000\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e   1 stop push - EI 800-2000\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e   2 stop push - EI 1250-3200\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e   3 stop push - EI 1600-3200 (added contrast)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eWhen shot in daylight, an 85 filter is recommended and\/or shooting the film at 400-500 ISO.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpiration:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e The new boxed CineStill film has an extended shelf life with less noticeable artifacts after expiration, but should be stored in the fridge and shot within 6 months of purchase to achieve optimal results. Exposed film should be processed promptly in C-41 chemistry to preserve latent image latitude and color fidelity. All current productions of CineStill have expiration dates for two years from manufacture date on the box. If you have earlier productions of 800T (no retail box) or your film does not have an expiration date, it is likely age fogged.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e This emulsion was designed originally requiring ECN-2 motion picture processing and may still be processed using ALL of those steps or with the CineStill Cs2 \"Cine Simplified\" kit, resulting in a pulled contrast negative with lower gamma not suitable for darkroom printing. Although there is no remjet adhesive layer to contaminate and exhaust the chemicals, C-41 processing produces greater density and gamma which is more favorable for still photography workflows. Tests show favorable results in standard C-41 processing compared to ECN-2 motion picture lab processing performed by professional labs. Long term archival stability has not been tested past 9 years. Expectations for archival longevity should be somewhere between Kodachrome and most C-41 films. We will replace any roll that shows defect. We do not accept any liability beyond replacement of original film purchased.\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong data-mce-fragment=\"1\"\u003eStorage and handling:\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003eLoad and unload film in subdued light. Store unexposed film in a refrigerator at 13°C (55°F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Roll","offer_id":31389201203274,"sku":"800T-36exp","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/image_7598b71a-b224-433e-92b4-a40ce40eb701.jpg?v=1736293963"},{"product_id":"50daylight-36exp-135-fine-grain-color-film-35mm-roll","title":"50Daylight Fine Grain Color Negative Film, 35mm","description":"\u003ch3\u003e\u003cstrong\u003eThe world’s sharpest and finest grain color negative film!\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCINESTILL 50Daylight\u003c\/strong\u003e\u003cspan\u003e is an EI 50\/18° speed daylight balanced (5500K) color negative motion picture film stock for still photography. Based on the original motion picture emulsion, this film is prepped and rolled for clean and safe standard photo lab processing or \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry?variant=30376678593\"\u003eCs41 \"Color Simplified\" development at home\u003c\/a\u003e, but it may also be processed in \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs2-cine-simplified-ecn-2-bath-kit-low-contrast-motion-picture-color-negatives-for-ecp-scanning?variant=32487168344138\"\u003eCs2 \"Cine Simplified\"\u003c\/a\u003e chemistry for low-contrast motion picture negatives. Ideal for shooting in bright light at wide apertures and for producing high resolution, low grain images. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThis emulsion is optimized for a hybrid workflow, ideal for scanning, and produces a complimentary contrast curve for optical printing on RA-4 paper when processed in C-41 chemistry. \u003c!-- notionvc: 25f45f80-9a24-4d85-ac2f-0800caab1321 --\u003eThe exposure latitude of this film is beyond anything digital and even most other films can hope to achieve. With 50D you can achieve beautiful results by rating it anywhere between EI 12-100 without the need for push processing. No matter how you meter, you will see almost no grain, but color, contrast, shadow detail and highlight rendering will be affected by the chosen EI you meter at. If you expose at a lower EI you will get warmer images with greater halation in the highlights. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003eEducational Resources:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSHORT: \u003c\/strong\u003e\u003ca href=\"https:\/\/youtu.be\/kGw7kLrMPmA?si=fu0dF0qINv9Nfq5S\"\u003eCineStill 50D - The Most Underrated Film of All Time?\u003c\/a\u003e\u003cstrong\u003e\u003cbr\u003eVIDEO:\u003c\/strong\u003e \u003ca href=\"https:\/\/youtu.be\/7ZGAYgEGNAM?si=dlG9q-zY5_r_08Wd\"\u003eThe World's Sharpest and Finest Grain Color Negative Film\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eBLOG:\u003c\/strong\u003e \u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/go-slow-cinestill-50d-the-most-underrated-film-on-earth?_pos=8\u0026amp;_sid=1b6e8c13c\u0026amp;_ss=r\"\u003eGo Slow: CineStill 50Daylight, the most underrated film on Earth\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eBLOG:\u003c\/strong\u003e \u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/cinestill-film-stock-primer?_pos=18\u0026amp;_sid=1b6e8c13c\u0026amp;_ss=r\"\u003eThe CineStill Film Family: A Photographer’s Guide to Our 4 Film Emulsions\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eBLOG:\u003c\/strong\u003e \u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/portraits-and-snapshots-on-cinestill-800t-50d-by-marina-koslow?_pos=3\u0026amp;_sid=1b6e8c13c\u0026amp;_ss=r\"\u003ePortraits and Snapshots on CineStill 800T \u0026amp; 50D by Marina Koslow\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eBLOG:\u003c\/strong\u003e \u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/a-dps-point-of-view-cinestill-50d-800t-by-rob-hauer?_pos=5\u0026amp;_sid=1b6e8c13c\u0026amp;_ss=r\"\u003eA DP's Point of View - CineStill 50D \u0026amp; 800T by Rob Hauer\u003c\/a\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- SnapWidget --\u003e\n\u003cp\u003e\u003cscript src=\"https:\/\/snapwidget.com\/js\/snapwidget.js\"\u003e\u003c\/script\u003e \u003clink rel=\"stylesheet\" href=\"https:\/\/snapwidget.com\/stylesheets\/snapwidget-lightbox.css\"\u003e \u003cscript src=\"https:\/\/snapwidget.com\/js\/snapwidget-lightbox.js\"\u003e\u003c\/script\u003e \u003ciframe src=\"https:\/\/snapwidget.com\/embed\/911859\" class=\"snapwidget-widget\" style=\"border: none; overflow: hidden; width: 100%;\" title=\"#CineStill50D Scrolling\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eFAQ’s:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ:\u003c\/strong\u003e Does CineStill 50Daylight exhibit halation? \u003cbr\u003e\u003cstrong\u003eA:\u003c\/strong\u003e Yes, as the film has undergone our proprietary “Premoval” process, halation is possible. Halation occurs most strongly around in-focus, over-exposed point light sources. It’s most visible when those light sources are surrounded by a darker background.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ:\u003c\/strong\u003e Can you push- or pull-process CineStill 50Daylight? \u003cbr\u003e\u003cstrong\u003eA:\u003c\/strong\u003e Yes, CineStill 50Daylight can certainly be push- or pull-processed, either at your lab or using our Cs41 “Color Simplified” Kit. Note that push-processing will generally increase contrast and grain. Colors may also shift slightly. Full instructions on how to push-\/pull-process can be found in the \u003cstrong\u003e“Push\/Pull Processing \u0026amp; Variable Temperature Development Chart”\u003c\/strong\u003e of the \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs41_Liquid_Instructions.pdf?v=1786648892\"\u003eCs41 Kit’s instruction manual\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ:\u003c\/strong\u003e Is processing CineStill 50Daylight in C-41 technically cross-processing? \u003cbr\u003e\u003cstrong\u003eA:\u003c\/strong\u003e This emulsion was designed originally requiring ECN-2 motion picture processing and may still be processed using ALL of those steps or with the \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs2-cine-simplified-ecn-2-bath-kit-low-contrast-motion-picture-color-negatives-for-ecp-scanning?_pos=3\u0026amp;_sid=241983fa4\u0026amp;_ss=r\u0026amp;variant=32487168344138\"\u003eCineStill Cs2 \"Cine Simplified\" kit\u003c\/a\u003e, resulting in a pulled contrast negative with lower gamma not suitable for RA-4 color darkroom printing. Although there is no remjet adhesive layer to contaminate and exhaust the chemicals, C-41 processing produces greater density and gamma which is more favorable for still photography workflows, including RA-4 color darkroom printing. Tests show favorable results in standard C-41 processing compared to ECN-2 motion picture lab processing performed by professional labs. For more details see the \u003cstrong\u003e“Notes”\u003c\/strong\u003e section below.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003eStorage and handling: \u003c\/span\u003e\u003c\/strong\u003eLoad and unload film in subdued light. Store unexposed film in a refrigerator at 13°C (55°F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpiration:\u003c\/strong\u003e\u003cspan\u003e The new boxed CineStill film has an extended shelf life with less noticeable artifacts after expiration, but should be stored in the fridge and shot within 6 months of purchase to achieve optimal results. Exposed film should be processed promptly in C-41 chemistry to preserve latent image latitude and color fidelity. All current productions of CineStill have expiration dates for two years from manufacture date on the box. If you have earlier productions of 50D (no retail box) or your film does not have an expiration date, it is likely age fogged. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan class=\"notion-enable-hover\"\u003eNotes:\u003c\/span\u003e \u003c\/strong\u003eLong term archival stability has not been tested past 9 years. Expectations for archival longevity should be somewhere between Kodachrome and most C-41 films. We will replace any roll that shows manufacturing defects. We do not accept any liability beyond replacement of original film purchased. CineStill 50Daylight does indeed have motion picture DNA. Like any other color negative film (originally intended for motion picture or stills purposes), it can be processed in either C-41 or ECN-2 chemistry and yield a usable color negative. The difference between C-41 and ECN-2 processed films lies in the color contrast curves produced in development. Processing CineStill 50Daylight in C-41 chemistry (like our \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry?variant=30376678593\" class=\"notion-link-token notion-focusable-token notion-enable-hover\" rel=\"noopener noreferrer\" tabindex=\"0\"\u003e\u003cspan class=\"link-annotation-unknown-block-id-1848098553\"\u003eCs41 “Color Simplified” Kits\u003c\/span\u003e\u003c\/a\u003e) yields standard C-41 color negatives that scan great using a variety of scanning workflows and have the color contrast curves intended for RA-4 color darkroom printing. Processing CineStill 50Daylight in ECN-2 chemistry (like our \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs2-cine-simplified-ecn-2-bath-kit-low-contrast-motion-picture-color-negatives-for-ecp-scanning?_pos=3\u0026amp;_sid=51f689950\u0026amp;_ss=r\u0026amp;variant=32487168344138\" class=\"notion-link-token notion-focusable-token notion-enable-hover\" rel=\"noopener noreferrer\" tabindex=\"0\"\u003e\u003cspan class=\"link-annotation-unknown-block-id-1974585222\"\u003eCs2 “Cine Simplified” Kits\u003c\/span\u003e\u003c\/a\u003e) yields ECN-2 negatives that have lower contrast and whose unique ECN-2 color contrast curves are better suited for the motion picture film scanning\/printing workflows; as such, they don’t print particularly well with the RA-4 color darkroom printing workflow that is designed in conjunction with C-41 negatives’ color contrast curves. Users are welcome to experiment to see which type of color negative (C-41 or ECN-2) they prefer the look of, but we recommend starting with C-41, which will give more options should you want to RA-4 print your 50Daylight pictures someday. \u003c!-- notionvc: dd079f7e-3ee4-43c5-bbd7-8063acd6e571 --\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Roll","offer_id":31389512433738,"sku":"50D-36exp","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/image_696ec43a-eab5-4131-bf4b-d3fdf66fa558.jpg?v=1736293944"},{"product_id":"800tungsten-high-speed-color-film-120-format-retail","title":"800Tungsten High Speed Color Negative Film, 120","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eMotion picture film for still photographers!\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCINESTILL 800Tungsten\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a unique color film for still photographers. This 800 speed tungsten balanced color negative film is based on the same gold standard motion picture technology used by top cinematographers around the world. Designed for difficult low light tungsten situations, this flexible film is suitable for use in different lighting situations to achieve a variety of looks. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOur new and improved manufacturing process now extends the shelf life of 800T, with less noticeable artifacts after expiration. This advanced motion picture emulsion is optimized for a hybrid workflow, ideal for scanning, and safe to process in standard C-41 photo lab machines or Cs41 processing at home, but it may also be processed in Cs2 chemistry for low-contrast motion picture negatives. It also produces a complimentary contrast curve for optical printing on RA-4 paper when processed in C-41 chemistry. Treat this film as a high speed 800 ISO film for C-41 processing and push process whenever needed up to 3200 ISO!\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- SnapWidget --\u003e\n\u003cscript src=\"https:\/\/snapwidget.com\/js\/snapwidget.js\"\u003e\u003c\/script\u003e\n\u003clink rel=\"stylesheet\" href=\"https:\/\/snapwidget.com\/stylesheets\/snapwidget-lightbox.css\"\u003e\n\u003cscript src=\"https:\/\/snapwidget.com\/js\/snapwidget-lightbox.js\"\u003e\u003c\/script\u003e\n\u003ciframe src=\"https:\/\/snapwidget.com\/embed\/397048\" class=\"snapwidget-widget\" allowtransparency=\"true\" frameborder=\"0\" scrolling=\"no\" style=\"border:none; overflow:hidden;  width:100%; \" title=\"#CineStill800T Scrolling\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eRecommended acceptable exposure for push processing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e   No push - EI 200-1000\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e   1 stop push - EI 800-2000\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e   2 stop push - EI 1250-3200\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e   3 stop push - EI 1600-3200 (added contrast)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eExpiration\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003e:\u003c\/strong\u003e The new boxed CineStill film has an extended shelf life with less noticeable artifacts after expiration, but should be stored in the fridge and shot within 6 months of purchase to achieve optimal results. Exposed film should be processed promptly in C-41 chemistry to preserve latent image latitude and color fidelity. All current productions of CineStill have expiration dates for two years from manufacture date on the box. If you have earlier productions of 800T (no retail box) or your film does not have an expiration date, it is likely age fogged.\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e This emulsion was designed originally requiring ECN-2 motion picture processing and may still be processed using ALL of those steps or with the CineStill Cs2 \"Cine Simplified\" kit, resulting in a pulled contrast negative with lower gamma not suitable for darkroom printing. Although there is no remjet adhesive layer to contaminate and exhaust the chemicals, C-41 processing produces greater density and gamma which is more favorable for still photography workflows. Tests show favorable results in standard C-41 processing compared to ECN-2 motion picture lab processing performed by professional labs. Long term archival stability has not been tested past 9 years. Expectations for archival longevity should be somewhere between Kodachrome and most C-41 films. We will replace any roll that shows defect. We do not accept any liability beyond replacement of original film purchased.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eStorage and handling: \u003c\/strong\u003eLoad and unload film in subdued light. Store unexposed film in a refrigerator at 13°C (55°F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Roll","offer_id":31972416769,"sku":"800T-120","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD01347-Edit_8f0c7094-6fb5-47ee-944a-1abc0b48a5ef.jpg?v=1737253374"},{"product_id":"50daylight-120-format-color-negative-fine-grain-film-roll","title":"50Daylight Fine Grain Color Negative Film, 120","description":"\u003ch3\u003e\u003cstrong\u003eThe world’s sharpest and finest grain color negative film!\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCINESTILL 50Daylight\u003c\/strong\u003e\u003cspan\u003e is an EI 50\/18° speed daylight balanced (5500K) color negative motion picture film stock for still photography. Based on the original motion picture emulsion, this film is prepped and rolled for clean and safe standard photo lab processing or \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry?variant=30376678593\"\u003eCs41 \"Color Simplified\" development at home\u003c\/a\u003e, but it may also be processed in \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs2-cine-simplified-ecn-2-bath-kit-low-contrast-motion-picture-color-negatives-for-ecp-scanning?variant=32487168344138\"\u003eCs2 \"Cine Simplified\"\u003c\/a\u003e chemistry for low-contrast motion picture negatives. Ideal for shooting in bright light at wide apertures and for producing high resolution, low grain images. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThis emulsion is optimized for a hybrid workflow, ideal for scanning, and produces a complimentary contrast curve for optical printing on RA-4 paper when processed in C-41 chemistry. \u003c!-- notionvc: 25f45f80-9a24-4d85-ac2f-0800caab1321 --\u003eThe exposure latitude of this film is beyond anything digital and even most other films can hope to achieve. With 50D you can achieve beautiful results by rating it anywhere between EI 12-100 without the need for push processing. No matter how you meter, you will see almost no grain, but color, contrast, shadow detail and highlight rendering will be affected by the chosen EI you meter at. If you expose at a lower EI you will get warmer images with greater halation in the highlights. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003eEducational Resources:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSHORT: \u003c\/strong\u003e\u003ca href=\"https:\/\/youtu.be\/kGw7kLrMPmA?si=fu0dF0qINv9Nfq5S\"\u003eCineStill 50D - The Most Underrated Film of All Time?\u003c\/a\u003e\u003cstrong\u003e\u003cbr\u003eVIDEO:\u003c\/strong\u003e \u003ca href=\"https:\/\/youtu.be\/7ZGAYgEGNAM?si=dlG9q-zY5_r_08Wd\"\u003eThe World's Sharpest and Finest Grain Color Negative Film\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eBLOG:\u003c\/strong\u003e \u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/go-slow-cinestill-50d-the-most-underrated-film-on-earth?_pos=8\u0026amp;_sid=1b6e8c13c\u0026amp;_ss=r\"\u003eGo Slow: CineStill 50Daylight, the most underrated film on Earth\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eBLOG:\u003c\/strong\u003e \u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/cinestill-film-stock-primer?_pos=18\u0026amp;_sid=1b6e8c13c\u0026amp;_ss=r\"\u003eThe CineStill Film Family: A Photographer’s Guide to Our 4 Film Emulsions\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eBLOG:\u003c\/strong\u003e \u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/portraits-and-snapshots-on-cinestill-800t-50d-by-marina-koslow?_pos=3\u0026amp;_sid=1b6e8c13c\u0026amp;_ss=r\"\u003ePortraits and Snapshots on CineStill 800T \u0026amp; 50D by Marina Koslow\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eBLOG:\u003c\/strong\u003e \u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/a-dps-point-of-view-cinestill-50d-800t-by-rob-hauer?_pos=5\u0026amp;_sid=1b6e8c13c\u0026amp;_ss=r\"\u003eA DP's Point of View - CineStill 50D \u0026amp; 800T by Rob Hauer\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- SnapWidget --\u003e\n\u003cp\u003e\u003cscript src=\"https:\/\/snapwidget.com\/js\/snapwidget.js\"\u003e\u003c\/script\u003e \u003clink rel=\"stylesheet\" href=\"https:\/\/snapwidget.com\/stylesheets\/snapwidget-lightbox.css\"\u003e \u003cscript src=\"https:\/\/snapwidget.com\/js\/snapwidget-lightbox.js\"\u003e\u003c\/script\u003e \u003ciframe src=\"https:\/\/snapwidget.com\/embed\/911859\" class=\"snapwidget-widget\" style=\"border: none; overflow: hidden; width: 100%;\" title=\"#CineStill50D Scrolling\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eFAQ’s:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ:\u003c\/strong\u003e Does CineStill 50Daylight exhibit halation? \u003cstrong\u003eA:\u003c\/strong\u003e Yes, as the film has undergone our proprietary “Premoval” process, halation is possible. Halation occurs most strongly around in-focus, over-exposed point light sources. It’s most visible when those light sources are surrounded by a darker background.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ:\u003c\/strong\u003e Can you push- or pull-process CineStill 50Daylight? \u003cstrong\u003eA:\u003c\/strong\u003e Yes, CineStill 50Daylight can certainly be push- or pull-processed, either at your lab or using our Cs41 “Color Simplified” Kit. Note that push-processing will generally increase contrast and grain. Colors may also shift slightly. Full instructions on how to push-\/pull-process can be found in the \u003cstrong\u003e“Push\/Pull Processing \u0026amp; Variable Temperature Development Chart”\u003c\/strong\u003e of the \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs41_Liquid_Instructions.pdf?v=1786648892\"\u003eCs41 Kit’s instruction manual\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ:\u003c\/strong\u003e Is processing CineStill 50Daylight in C-41 technically cross-processing? \u003cstrong\u003eA:\u003c\/strong\u003e This emulsion was designed originally requiring ECN-2 motion picture processing and may still be processed using ALL of those steps or with the \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs2-cine-simplified-ecn-2-bath-kit-low-contrast-motion-picture-color-negatives-for-ecp-scanning?_pos=3\u0026amp;_sid=241983fa4\u0026amp;_ss=r\u0026amp;variant=32487168344138\"\u003eCineStill Cs2 \"Cine Simplified\" kit\u003c\/a\u003e, resulting in a pulled contrast negative with lower gamma not suitable for RA-4 color darkroom printing. Although there is no remjet adhesive layer to contaminate and exhaust the chemicals, C-41 processing produces greater density and gamma which is more favorable for still photography workflows, including RA-4 color darkroom printing. Tests show favorable results in standard C-41 processing compared to ECN-2 motion picture lab processing performed by professional labs. For more details see the \u003cstrong\u003e“Notes”\u003c\/strong\u003e section below.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003eStorage and handling: \u003c\/span\u003e\u003c\/strong\u003eLoad and unload film in subdued light. Store unexposed film in a refrigerator at 13°C (55°F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpiration:\u003c\/strong\u003e\u003cspan\u003e The new boxed CineStill film has an extended shelf life with less noticeable artifacts after expiration, but should be stored in the fridge and shot within 6 months of purchase to achieve optimal results. Exposed film should be processed promptly in C-41 chemistry to preserve latent image latitude and color fidelity. All current productions of CineStill have expiration dates for two years from manufacture date on the box. If you have earlier productions of 50D (no retail box) or your film does not have an expiration date, it is likely age fogged. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan class=\"notion-enable-hover\"\u003eNotes:\u003c\/span\u003e \u003c\/strong\u003eLong term archival stability has not been tested past 9 years. Expectations for archival longevity should be somewhere between Kodachrome and most C-41 films. We will replace any roll that shows manufacturing defects. We do not accept any liability beyond replacement of original film purchased. CineStill 50Daylight does indeed have motion picture DNA. Like any other color negative film (originally intended for motion picture or stills purposes), it can be processed in either C-41 or ECN-2 chemistry and yield a usable color negative. The difference between C-41 and ECN-2 processed films lies in the color contrast curves produced in development. Processing CineStill 50Daylight in C-41 chemistry (like our \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry?variant=30376678593\" class=\"notion-link-token notion-focusable-token notion-enable-hover\" rel=\"noopener noreferrer\" tabindex=\"0\"\u003e\u003cspan class=\"link-annotation-unknown-block-id-1848098553\"\u003eCs41 “Color Simplified” Kits\u003c\/span\u003e\u003c\/a\u003e) yields standard C-41 color negatives that scan great using a variety of scanning workflows and have the color contrast curves intended for RA-4 color darkroom printing. Processing CineStill 50Daylight in ECN-2 chemistry (like our \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs2-cine-simplified-ecn-2-bath-kit-low-contrast-motion-picture-color-negatives-for-ecp-scanning?_pos=3\u0026amp;_sid=51f689950\u0026amp;_ss=r\u0026amp;variant=32487168344138\" class=\"notion-link-token notion-focusable-token notion-enable-hover\" rel=\"noopener noreferrer\" tabindex=\"0\"\u003e\u003cspan class=\"link-annotation-unknown-block-id-1974585222\"\u003eCs2 “Cine Simplified” Kits\u003c\/span\u003e\u003c\/a\u003e) yields ECN-2 negatives that have lower contrast and whose unique ECN-2 color contrast curves are better suited for the motion picture film scanning\/printing workflows; as such, they don’t print particularly well with the RA-4 color darkroom printing workflow that is designed in conjunction with C-41 negatives’ color contrast curves. Users are welcome to experiment to see which type of color negative (C-41 or ECN-2) they prefer the look of, but we recommend starting with C-41, which will give more options should you want to RA-4 print your 50Daylight pictures someday. \u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Roll","offer_id":31389511483466,"sku":"50D-120","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD01343-Edit_bf1530bd-8c81-40b4-99d6-29f6a6fcaca6.jpg?v=1736293968"},{"product_id":"cs6-creative-slide-3-bath-process-for-color-timing-chrome-reversal-and-e-6-compatible-film","title":"Cs6 \"Creative Slide\" DynamicChrome Kit (E-6)","description":"\u003cp\u003eIntroducing the Cs6 DynamicChrome Kit — a simplified 3-bath dynamic E-6 kit for processing up to 16 rolls of color reversal film at home.\u003c\/p\u003e\n\u003cp\u003eSlide film is ageless. For years, photographers have loaded it into their cameras and created memories that can be viewed as positive images on strips of film or mounted and projected in all their glory. In 2017 Kodak revived the iconic Ektachrome E100 slide film, reigniting the passion for positive.\u003c\/p\u003e\n\u003cp\u003eThe Cs6 \"Creative Slide\" 3-Bath Process makes complicated chemistry simplified alchemy! The number of processing baths for E-6 film is reduced from 6 t\u003cspan\u003eo 3. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis new kit contains everything you need to get started with the \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eCs6 \"Creative Slide\" 3-Bath Process; a 1st Developer, a Color\u0026amp;Reversal bath, and a Bleaches\u0026amp;Fixer bath. \u003c\/span\u003e \u003cbr\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cul\u003e\u003c\/ul\u003e\n\u003ch3\u003e\u003cstrong\u003eKit Includes\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cmeta charset=\"utf-8\"\u003e1x \u003cstrong\u003eD9\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e“DynamicChrome”\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1st Developer (1000mL stock solution for up to 16 Rolls)\u003c\/li\u003e\n\u003cli\u003e1x\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003eCr6 “Color\u0026amp;Reversal”\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e2-in-1 Reusable Slide Solution (1 Quart for 16+ Rolls)\u003c\/li\u003e\n\u003cli\u003e1x \u003cstrong\u003eBf6\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e“Bleaches\u0026amp;Fixer”\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e3-in-1 Reusable Slide Solution (1 Quart for 24+ Rolls)\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003eProcessing even more film is as easy as 3-2-1. \u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/cart\/update?updates%5B31822898036810%5D=1\u0026amp;updates%5B31820201754698%5D=2\u0026amp;updates%5B31820201754698%5D=2\u0026amp;updates%5B31820238815306%5D=1\"\u003eBundle the Cs6 Kit with 2 more D9 and an extra Cr6\u003c\/a\u003e\u003c\/strong\u003e to process up to 32 rolls. \u003c\/p\u003e\n\u003cp\u003eD9 “DynamicChrome” is the most versatile of 3 different CineStill Cs6 1st Developers available, allowing you to have more control of your dynamic range and gives you a great way to get started with processing color reversal film at home.\u003c\/p\u003e\n\u003cdiv\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD05609-Edit_e75cb53f-7aa2-49ef-ab1d-842aa5c5510c_1024x1024.jpg?v=1646083195\" width=\"1024x1024\" height=\"1024x1024\"\u003e\u003c\/div\u003e\n\u003cp\u003eWith limited slide film options available today, CineStill's groundbreaking Cs6 chemistry\u003cspan\u003e \u003c\/span\u003e\u003cem\u003e\u003cstrong\u003emultiplies\u003c\/strong\u003e\u003c\/em\u003e \u003cstrong\u003eyour choices\u003c\/strong\u003e, with a quick and easy process that gives you maximum creative control, making your slides superior to color-corrected negative scans without sacrificing flexibility.\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-d9-dynamicchrome-1st-developer-bath-for-high-dynamic-range-slides-powder-8-16-rolls\"\u003e\u003cstrong\u003eD9 “DynamicChrome” Warm-Tone Dynamic 1st Developer\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eD9 \"DynamicChrome\"\u003c\/strong\u003e is the world’s most flexible 1st developer for slide film, rendering approximately 9+ stops of usable dynamic range*, compared to approximately 6 stops with conventional E-6 processing (or\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/cs6-1stdeveloper-creative-slide-d6-daylightchrome-1st-developer-bath-liquid-up-to-16-rolls\"\u003eD6 \"DaylightChrome 1st Developer\u003c\/a\u003e\u003c\/strong\u003e) while m\u003cspan\u003eaintaining vibrant color-contrast and rich warm-tones with preserved highlight and shadow detail (optimized for scanning) for a more cinematic look. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eThe photographer has the choice between 3 dilutions; dilute 1+1 with water for warm-tone slides with 2+ stops of extended dynamic range, or for further preserved highlight detail\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand a more neutral color balance dilute 1+2 or 1+3\u003c\/span\u003e. D9 is perfect for high contrast scenes and is optimized for scanning. 1000ml stock solution makes 2000ml of single-use working solution \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e (1+1 Dilution)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eto develop up to 16 rolls or 100ft of slide film.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"notion-enable-hover\"\u003eWarm-Tone Development:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1+1 Dilution ~ 9 min. 15 sec. at 104°f (40°C)\u003cbr\u003e\u003cstrong\u003e\u003cspan class=\"notion-enable-hover\"\u003eExtended Highlight Latitude: \u003c\/span\u003e\u003c\/strong\u003e1+2 Dilution ~ 11 min. at 104°f (40°C)\u003cstrong\u003e\u003cspan class=\"notion-enable-hover\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan class=\"notion-enable-hover\"\u003ePull -1 (overexposed film):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e 1+3 Dilution ~ 13 min at 104°f (40°C)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"notion-enable-hover\"\u003eFor push processing we recommend our\u003cstrong\u003e \u003ca title=\"DaylightChrome (NEUTRAL-TONE) 1ST DEVELOPER\" href=\"https:\/\/cinestillfilm.com\/products\/cs6-1stdeveloper-creative-slide-d6-daylightchrome-1st-developer-bath-liquid-up-to-16-rolls\"\u003eD6\u003c\/a\u003e\u003c\/strong\u003e or \u003cstrong\u003e\u003ca title='\"TungstenChrome\" (COOL-TONE) 1ST DEVELOPER' href=\"https:\/\/cinestillfilm.com\/products\/cs6-1stdeveloper-creative-slide-t6-tungstenchrome-1st-developer-bath-for-cool-tone-3200k-e100t-slides-powder-up-to-16-rolls\"\u003eT6\u003c\/a\u003e\u003c\/strong\u003e 1st Developers.\u003c\/span\u003e\u003c\/em\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-cr6-color-reversal-2-in-1-slide-solution-liquid-16-rolls\"\u003e\u003cstrong\u003eCr6 “Color\u0026amp;Reversal” Color Developer \u0026amp; Reversal Bath\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eWith the Cs6 process, the reversal step occurs during color development in our Cr6 “Color\u0026amp;Reversal” bath, which comes in a liquid concentrate to make a 1 quart of reusable solution capable of reversing 16+ rolls of developed slide film. Stock \u0026gt; 6min @ 80 -104°F (27-40°C).\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-bf6-bleaches-fixer-3-in-1-slide-solution-liquid-24-rolls\"\u003e\u003cstrong\u003eBf6 “Bleaches\u0026amp;Fixer” Pre-Bleach \u0026amp; Blix Bath\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eWith the Cs6 process, the bleach and conditioner steps are combined with the fixing step in our Bf6 “Bleaches\u0026amp;Fixer” bath, which comes in a liquid concentrate to make 1 quart of reusable solution capable of clearing 24+ rolls of slide film. Stock \u0026gt; 6-10min @ 75 -104°F (23-40°C).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e* ”Usable dynamic range” is the amount of full stops of exposure value that renders acceptable detail and color. “Total dynamic range” however, is the maximum range containing tonal separation rendering any detail, and is often twice the usable dynamic-range. The usable dynamic range of conventional slide film is between 6-8 stops (total 14-16 stops). Color negative is between 9-13 stops (total 16-21 stops). Digital sensors are mostly between 7-10 stops (total 12-15 stops).\u003cbr\u003e\u003cbr\u003e\u003c\/i\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_D9_D6_Beach_SkierNS_001__MG_8002_b_2048x2048.jpg?v=1589878009\" alt=\"D9 DynamicChrome 1st Developer compared to traditional D6 DaylightChrome (E6)\"\u003e\u003c\/i\u003e\u003cstrong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/no-compromises-cs6-3-bath-process-vs-e-6-6-bath-processing\"\u003eNo Compromises - Cs6 3-Bath Process vs. E6 6-Bath Processing...\u003c\/a\u003e\u003cspan\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/d9-dynamicchrome-vs-e6-dynamic-range\"\u003eLatitude for Days - D9 DynamicChrome vs. E6 Dynamic-Range...\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6_Instruction_2023.pdf?v=1749492805\" rel=\"noopener\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Cs6 Quart Kit Complete PDF Instructions\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca rel=\"noopener\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_Cs6_Creative_Slide_Complete_SDS.pdf?v=1742247248\" title=\"CineStill Cs6 Creative Slide Kit SDS\" target=\"_blank\"\u003eDownload Cs6 Complete Safety Data Sheet\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" title=\"Photochemical Waste Management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CineStill","offers":[{"title":"DynamicChrome (D9)","offer_id":31822898036810,"sku":"Cs6-D9-quart","price":41.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD05244-Edit_aea78a75-b16c-44e3-bede-1f2d026c61f7.jpg?v=1734084179"},{"product_id":"cs6-creative-slide-3-bath-kits-for-color-timing-chrome-reversal-and-e-6-film","title":"Cs6 \"Creative Slide\" Complete Bundle","description":"\u003cp\u003eWant to shoot slide film? Want it to be quick and easy to process? Want to still have creative control over how your images look? Introducing the CineStill Cs6 “Creative Slide” 3-Bath Process for simple creative control of your E-6 film. Chrome unlocked!\u003c\/p\u003e\n\u003cp\u003eSlide film is ageless. For years, photographers have loaded it into their cameras and created memories that can viewed as positive images on strips of film or mounted and projected in all their glory. In 2017 Kodak revived the iconic Ektachrome E100 slide film, reigniting the passion for positive.\u003c\/p\u003e\n\u003cp\u003eCineStill is proud to introduce the \u003cstrong\u003eCs6 “Creative Slide” Complete Bundle\u003c\/strong\u003e 3-Bath Process for color-timing E-6 reversal film, creating three new distinct slide film results in one bundle - the true wonder of slide film unlocked. This process illuminates unique color profiles never before seen on slide film, effectively turning the tried-and-true standard into 3 totally different films. The Cs6 \"Creative Slide\" 3-Bath Process makes complicated chemistry simplified alchemy! The number of processing baths for E-6 film is reduced from 6 to 3; \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e3 choices for a 1st Developer, a Color\u0026amp;Reversal bath, and a Bleaches\u0026amp;Fixer bath. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eFor the first time ever, you can \u003cstrong\u003echange the color profile of your slides \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eby choosing between 3 different 1st Developers\u003c\/span\u003e!\u003c\/strong\u003e With limited slide film options available today, CineStill's groundbreaking Cs6 chemistry \u003cstrong\u003e\u003cem\u003emultiplies\u003c\/em\u003e your choices\u003c\/strong\u003e, \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ewith a quick and easy process that gives you maximum creative control, making your slides superior to color-corrected negative scans without sacrificing flexibility.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThis kit provides enough chemistry to process up to 32 rolls of film. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe kits include all the chemicals you need for the Cs6 process, including 3 different 1st developers, but all of the chemicals in the Cs6 line can also be purchased separately.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eBUNDLE INCLUDES \u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e1x \u003cstrong\u003eD9\u003c\/strong\u003e \u003cstrong\u003e“DynamicChrome” \u003c\/strong\u003e1st Developer\u003c\/li\u003e\n\u003cli\u003e1x\u003cstrong\u003e D6 “DaylightChrome”\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003e1st Developer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e1x\u003cstrong\u003e T6 “TungstenChrome\u003c\/strong\u003e” \u003cspan\u003e1st Developer\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli\u003e2x \u003cstrong\u003eCr6 “Color\u0026amp;Reversal”\u003c\/strong\u003e 2-in-1 Reusable Slide Solution\u003c\/li\u003e\n\u003cli\u003e1x \u003cstrong\u003eBf6\u003c\/strong\u003e \u003cstrong\u003e“Bleaches\u0026amp;Fixer”\u003c\/strong\u003e 3-in-1 Reusable Slide Solution\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_T6_D6_D9_LAriver_SkierNS_007__MG_8034_2048x2048.jpg?v=1589758554\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_T6_D6_D9_LAriver_SkierNS_007__MG_8034_2048x2048.jpg?v=1589758554\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-d9-dynamicchrome-1st-developer-bath-for-high-dynamic-range-slides-powder-8-16-rolls\"\u003e\u003cstrong\u003eD9 “DynamicChrome” Warm-Tone Dynamic 1st Developer\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eD9 \"DynamicChrome\"\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eis the world’s most flexible 1st developer for slide film, rendering approximately 9+ stops of usable dynamic range, compared to approximately 6 stops with conventional E-6 processing (or\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/collections\/laboratory-supplies\/products\/cs6-1stdeveloper-creative-slide-d6-daylightchrome-1st-developer-bath-liquid-up-to-16-rolls\"\u003eD6 \"DaylightChrome 1st Developer\u003c\/a\u003e\u003c\/strong\u003e) while m\u003cspan\u003eaintaining vibrant color-contrast and rich warm-tones with preserved highlight and shadow detail (optimized for scanning) for a more cinematic look. \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003eThe photographer has the choice between 3 dilutions; dilute 1+1 with water for warm-tone slides with 2+ stops of extended dynamic range, or for further preserved highlight detail\u003cspan\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eand a more neutral color balance dilute 1+2 or 1+3\u003c\/span\u003e. D9 is perfect for high contrast scenes and is optimized for scanning. 1000ml stock solution makes 2000ml of single-use working solution \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e (1+1 Dilution)\u003c\/span\u003e\u003cspan\u003e \u003c\/span\u003eto develop up to 16 rolls or 100ft of slide film.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan class=\"notion-enable-hover\"\u003eWarm-Tone Development:\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1+1 Dilution ~ 9 min. 15 sec. at 104°f (40°C)\u003cbr\u003e\u003cstrong\u003e\u003cspan class=\"notion-enable-hover\"\u003eExtended Highlight Latitude: \u003c\/span\u003e\u003c\/strong\u003e1+2 Dilution ~ 11 min. at 104°f (40°C)\u003cstrong\u003e\u003cspan class=\"notion-enable-hover\"\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003cstrong\u003e\u003cspan class=\"notion-enable-hover\"\u003ePull -1 (overexposed film):\u003cspan\u003e \u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e 1+3 Dilution ~ 13 min at 104°f (40°C)\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e\u003cspan class=\"notion-enable-hover\"\u003eFor push processing we recommend our\u003cstrong\u003e\u003cspan\u003e \u003c\/span\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-1stdeveloper-creative-slide-d6-daylightchrome-1st-developer-bath-liquid-up-to-16-rolls\" title=\"DaylightChrome (NEUTRAL-TONE) 1ST DEVELOPER\"\u003eD6\u003c\/a\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003eor\u003cspan\u003e \u003c\/span\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-1stdeveloper-creative-slide-t6-tungstenchrome-1st-developer-bath-for-cool-tone-3200k-e100t-slides-powder-up-to-16-rolls\" title='\"TungstenChrome\" (COOL-TONE) 1ST DEVELOPER'\u003eT6\u003c\/a\u003e\u003c\/strong\u003e\u003cspan\u003e \u003c\/span\u003e1st Developers.\u003c\/span\u003e\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-d6-daylightchrome-1st-developer-bath-liquid-8-16-rolls\"\u003e\u003cstrong\u003eD6 “DaylightChrome” Neutral-Tone 5500K 1st Developer\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eRenders approximately 6+ stops of usable dynamic range, with brighter whites and moderately enhanced color saturation, just like conventional E-6 processing. Daylight-balanced 5500K for neutral-tone slides in daylight or with electronic flash. 1000ml stock solution makes 2000ml of single-use working solution (1+1 Dilution) to develop up to 16 rolls or 100ft of slide film. 1+1 Dilution 2min @104°F (40°C).\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-t6-tungstenchrome-1st-developer-bath-for-cool-tone-3200k-e100t-slides-powder-8-16-rolls\"\u003e\u003cstrong\u003eT6 “TungstenChrome” Cool-Tone 3200K 1st Developer\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eRenders approximately 6+ stops of usable dynamic range. Tungsten-balanced 3200K for artificial light or cool-tone E100\u003cem\u003eT\u003c\/em\u003e slides. Also, works great for push processing in limited light! 1000ml stock solution makes 2000ml of single-use working solution (1+1 Dilution) to develop up to 16 rolls or 100ft of slide film. 1+1 Dilution 6min @104°F (40°C).\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-cr6-color-reversal-2-in-1-slide-solution-liquid-16-rolls\"\u003e\u003cstrong\u003eCr6 “Color\u0026amp;Reversal” Color Developer \u0026amp; Reversal Bath\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eWith the Cs6 process, the reversal step occurs during color development in our Cr6 “Color\u0026amp;Reversal” bath, which comes in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003eliquid concentrate to make 1 quart of \u003c\/span\u003ereusable solution capable of reversing 16+ rolls of developed slide film. Stock \u0026gt; 6min @ 80 -104°F (27-40°C).\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs6-creative-slide-bf6-bleaches-fixer-3-in-1-slide-solution-liquid-24-rolls\"\u003e\u003cstrong\u003eBf6 “Bleaches\u0026amp;Fixer” Pre-Bleach \u0026amp; Blix Bath\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003eWith the Cs6 process, the bleach and conditioner steps are combined with the fixing step in our Bf6 “Bleaches\u0026amp;Fixer” bath, which comes in \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003ea \u003c\/span\u003e\u003cspan\u003eliquid concentrate to make 1 quart of\u003c\/span\u003e reusable solution capable of clearing 24+ rolls of slide film. Stock \u0026gt; 6-10min @ 75 -104°F (23-40°C).\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ci\u003e* ”Usable dynamic range” is the amount of full stops of exposure value that renders acceptable detail and color. “Total dynamic range” however, is the maximum range containing tonal separation rendering any detail, and is often twice the usable dynamic range. The usable dynamic-range of conventional slide film is between 6-8 stops (total 14-16 stops). Color negative is between 9-13 stops (total 16-21 stops). Digital sensors are mostly between 7-10 stops (total 12-15 stops).\u003c\/i\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_T6_D9_Bridge_SkierNS_003__MG_7982_2048x2048.jpg?v=1589852865\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_T6_D9_Bridge_SkierNS_003__MG_7982_2048x2048.jpg?v=1589852865\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_T6_D6_LukeBike_SkierNS_010__MG_7993_2048x2048.jpg?v=1589794368\"\u003e\u003cimg alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_T6_D6_LukeBike_SkierNS_010__MG_7993_2048x2048.jpg?v=1589794368\"\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cdiv style=\"text-align: left;\"\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_D9_D6_Beach_SkierNS_001__MG_8002_2048x2048.jpg?v=1589851068\"\u003e\u003cimg style=\"float: none;\" alt=\"\" src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/SBS_D9_D6_Beach_SkierNS_001__MG_8002_2048x2048.jpg?v=1589851068\"\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/no-compromises-cs6-3-bath-process-vs-e-6-6-bath-processing\"\u003eNo Compromises - Cs6 3-Bath Process vs. E6 6-Bath Processing...\u003c\/a\u003e\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/d9-dynamicchrome-vs-e6-dynamic-range\"\u003eLatitude for Days - D9 DynamicChrome vs. E6 Dynamic-Range...\u003c\/a\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6_Instruction_2023.pdf?v=1749492805\" rel=\"noopener\" target=\"_blank\"\u003eDownload Cs6 Quart Kit Complete PDF Instructions\u003c\/a\u003e \u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca rel=\"noopener\" title=\"CineStill Cs6 SDS\" href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CineStill_Cs6_Creative_Slide_Complete_SDS.pdf?v=1742247248\" target=\"_blank\"\u003e\u003cstrong\u003eDownload Cs6 Complete Safety Data Sheet\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003ca title=\"Photochemical Waste Management\" href=\"https:\/\/cinestillfilm.com\/pages\/photo-waste-management\" target=\"_blank\"\u003e\u003cstrong\u003ePhotochemical Waste Management\u003c\/strong\u003e\u003c\/a\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Complete Bundle (D9, D6 and T6)","offer_id":39931708244140,"sku":"Cs6-3-3_2_1","price":74.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs6shoot-071_023e8896-3c2a-4279-b421-195163b6ee63.jpg?v=1735684402"}],"url":"https:\/\/dealers.cinestill.film\/collections\/google.oembed","provider":"CineStill Film","version":"1.0","type":"link"}