{"title":"CineStill 120","description":"\u003cdiv style=\"text-align: center; margin: auto; color: white; text-color: white; position: relative; z-index: 10; width: 100%; left: calc(-50% + 50%); background: url('https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/CinestillFlatlays-JStrutz-170615-0506.jpg?17708511318213819306'); background-repeat: no-repeat; background-position: center; background-attachment: inherit; webkit-background-size: cover; -moz-background-size: cover; -o-background-size: cover; background-size: cover; background-origin: content-box;\"\u003e\n\u003cdiv\u003e\n\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003ca\u003e\u003cimg src=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/motion_picture_film-for_still_photogrphers_1a04cb21-24e6-4750-9e0c-6557c8a9dec0.png?3282518103238654859\" width=\"380\" alt=\"Motion Picture Film For Still Photographers\"\u003e \u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e\u003cbr\u003e \u003c\/a\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","products":[{"product_id":"800tungsten-high-speed-color-film-120-format-retail","title":"800Tungsten High Speed Color Negative Film, 120","description":"\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cstrong\u003e\u003cspan style=\"text-decoration: underline;\"\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/span\u003e\u003cstrong\u003eMotion picture film for still photographers!\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCINESTILL 800Tungsten\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e is a unique color film for still photographers. This 800 speed tungsten balanced color negative film is based on the same gold standard motion picture technology used by top cinematographers around the world. Designed for difficult low light tungsten situations, this flexible film is suitable for use in different lighting situations to achieve a variety of looks. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eOur new and improved manufacturing process now extends the shelf life of 800T, with less noticeable artifacts after expiration. This advanced motion picture emulsion is optimized for a hybrid workflow, ideal for scanning, and safe to process in standard C-41 photo lab machines or Cs41 processing at home, but it may also be processed in Cs2 chemistry for low-contrast motion picture negatives. It also produces a complimentary contrast curve for optical printing on RA-4 paper when processed in C-41 chemistry. Treat this film as a high speed 800 ISO film for C-41 processing and push process whenever needed up to 3200 ISO!\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- SnapWidget --\u003e\n\u003cscript src=\"https:\/\/snapwidget.com\/js\/snapwidget.js\"\u003e\u003c\/script\u003e\n\u003clink rel=\"stylesheet\" href=\"https:\/\/snapwidget.com\/stylesheets\/snapwidget-lightbox.css\"\u003e\n\u003cscript src=\"https:\/\/snapwidget.com\/js\/snapwidget-lightbox.js\"\u003e\u003c\/script\u003e\n\u003ciframe src=\"https:\/\/snapwidget.com\/embed\/397048\" class=\"snapwidget-widget\" allowtransparency=\"true\" frameborder=\"0\" scrolling=\"no\" style=\"border:none; overflow:hidden;  width:100%; \" title=\"#CineStill800T Scrolling\"\u003e\u003c\/iframe\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003eRecommended acceptable exposure for push processing:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e   No push - EI 200-1000\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e   1 stop push - EI 800-2000\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e   2 stop push - EI 1250-3200\u003c\/span\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cspan data-mce-fragment=\"1\"\u003e   3 stop push - EI 1600-3200 (added contrast)\u003c\/span\u003e\u003cspan data-mce-fragment=\"1\"\u003e   \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eExpiration\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003e:\u003c\/strong\u003e The new boxed CineStill film has an extended shelf life with less noticeable artifacts after expiration, but should be stored in the fridge and shot within 6 months of purchase to achieve optimal results. Exposed film should be processed promptly in C-41 chemistry to preserve latent image latitude and color fidelity. All current productions of CineStill have expiration dates for two years from manufacture date on the box. If you have earlier productions of 800T (no retail box) or your film does not have an expiration date, it is likely age fogged.\u003cbr\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNote:\u003c\/strong\u003e\u003cspan data-mce-fragment=\"1\"\u003e This emulsion was designed originally requiring ECN-2 motion picture processing and may still be processed using ALL of those steps or with the CineStill Cs2 \"Cine Simplified\" kit, resulting in a pulled contrast negative with lower gamma not suitable for darkroom printing. Although there is no remjet adhesive layer to contaminate and exhaust the chemicals, C-41 processing produces greater density and gamma which is more favorable for still photography workflows. Tests show favorable results in standard C-41 processing compared to ECN-2 motion picture lab processing performed by professional labs. Long term archival stability has not been tested past 9 years. Expectations for archival longevity should be somewhere between Kodachrome and most C-41 films. We will replace any roll that shows defect. We do not accept any liability beyond replacement of original film purchased.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cstrong\u003eStorage and handling: \u003c\/strong\u003eLoad and unload film in subdued light. Store unexposed film in a refrigerator at 13°C (55°F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place.\u003cbr\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Roll","offer_id":31972416769,"sku":"800T-120","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD01347-Edit_8f0c7094-6fb5-47ee-944a-1abc0b48a5ef.jpg?v=1737253374"},{"product_id":"50daylight-120-format-color-negative-fine-grain-film-roll","title":"50Daylight Fine Grain Color Negative Film, 120","description":"\u003ch3\u003e\u003cstrong\u003eThe world’s sharpest and finest grain color negative film!\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eCINESTILL 50Daylight\u003c\/strong\u003e\u003cspan\u003e is an EI 50\/18° speed daylight balanced (5500K) color negative motion picture film stock for still photography. Based on the original motion picture emulsion, this film is prepped and rolled for clean and safe standard photo lab processing or \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry?variant=30376678593\"\u003eCs41 \"Color Simplified\" development at home\u003c\/a\u003e, but it may also be processed in \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs2-cine-simplified-ecn-2-bath-kit-low-contrast-motion-picture-color-negatives-for-ecp-scanning?variant=32487168344138\"\u003eCs2 \"Cine Simplified\"\u003c\/a\u003e chemistry for low-contrast motion picture negatives. Ideal for shooting in bright light at wide apertures and for producing high resolution, low grain images. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThis emulsion is optimized for a hybrid workflow, ideal for scanning, and produces a complimentary contrast curve for optical printing on RA-4 paper when processed in C-41 chemistry. \u003c!-- notionvc: 25f45f80-9a24-4d85-ac2f-0800caab1321 --\u003eThe exposure latitude of this film is beyond anything digital and even most other films can hope to achieve. With 50D you can achieve beautiful results by rating it anywhere between EI 12-100 without the need for push processing. No matter how you meter, you will see almost no grain, but color, contrast, shadow detail and highlight rendering will be affected by the chosen EI you meter at. If you expose at a lower EI you will get warmer images with greater halation in the highlights. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\n\u003cbr\u003eEducational Resources:\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSHORT: \u003c\/strong\u003e\u003ca href=\"https:\/\/youtu.be\/kGw7kLrMPmA?si=fu0dF0qINv9Nfq5S\"\u003eCineStill 50D - The Most Underrated Film of All Time?\u003c\/a\u003e\u003cstrong\u003e\u003cbr\u003eVIDEO:\u003c\/strong\u003e \u003ca href=\"https:\/\/youtu.be\/7ZGAYgEGNAM?si=dlG9q-zY5_r_08Wd\"\u003eThe World's Sharpest and Finest Grain Color Negative Film\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eBLOG:\u003c\/strong\u003e \u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/go-slow-cinestill-50d-the-most-underrated-film-on-earth?_pos=8\u0026amp;_sid=1b6e8c13c\u0026amp;_ss=r\"\u003eGo Slow: CineStill 50Daylight, the most underrated film on Earth\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eBLOG:\u003c\/strong\u003e \u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/cinestill-film-stock-primer?_pos=18\u0026amp;_sid=1b6e8c13c\u0026amp;_ss=r\"\u003eThe CineStill Film Family: A Photographer’s Guide to Our 4 Film Emulsions\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eBLOG:\u003c\/strong\u003e \u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/portraits-and-snapshots-on-cinestill-800t-50d-by-marina-koslow?_pos=3\u0026amp;_sid=1b6e8c13c\u0026amp;_ss=r\"\u003ePortraits and Snapshots on CineStill 800T \u0026amp; 50D by Marina Koslow\u003c\/a\u003e\u003cbr\u003e\u003cstrong\u003eBLOG:\u003c\/strong\u003e \u003ca href=\"https:\/\/cinestillfilm.com\/blogs\/news\/a-dps-point-of-view-cinestill-50d-800t-by-rob-hauer?_pos=5\u0026amp;_sid=1b6e8c13c\u0026amp;_ss=r\"\u003eA DP's Point of View - CineStill 50D \u0026amp; 800T by Rob Hauer\u003c\/a\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c!-- SnapWidget --\u003e\n\u003cp\u003e\u003cscript src=\"https:\/\/snapwidget.com\/js\/snapwidget.js\"\u003e\u003c\/script\u003e \u003clink rel=\"stylesheet\" href=\"https:\/\/snapwidget.com\/stylesheets\/snapwidget-lightbox.css\"\u003e \u003cscript src=\"https:\/\/snapwidget.com\/js\/snapwidget-lightbox.js\"\u003e\u003c\/script\u003e \u003ciframe src=\"https:\/\/snapwidget.com\/embed\/911859\" class=\"snapwidget-widget\" style=\"border: none; overflow: hidden; width: 100%;\" title=\"#CineStill50D Scrolling\"\u003e\u003c\/iframe\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eFAQ’s:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ:\u003c\/strong\u003e Does CineStill 50Daylight exhibit halation? \u003cstrong\u003eA:\u003c\/strong\u003e Yes, as the film has undergone our proprietary “Premoval” process, halation is possible. Halation occurs most strongly around in-focus, over-exposed point light sources. It’s most visible when those light sources are surrounded by a darker background.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ:\u003c\/strong\u003e Can you push- or pull-process CineStill 50Daylight? \u003cstrong\u003eA:\u003c\/strong\u003e Yes, CineStill 50Daylight can certainly be push- or pull-processed, either at your lab or using our Cs41 “Color Simplified” Kit. Note that push-processing will generally increase contrast and grain. Colors may also shift slightly. Full instructions on how to push-\/pull-process can be found in the \u003cstrong\u003e“Push\/Pull Processing \u0026amp; Variable Temperature Development Chart”\u003c\/strong\u003e of the \u003ca href=\"https:\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/Cs41_Liquid_Instructions.pdf?v=1786648892\"\u003eCs41 Kit’s instruction manual\u003c\/a\u003e.\u003c\/li\u003e\n\u003cli\u003e\n\u003cstrong\u003eQ:\u003c\/strong\u003e Is processing CineStill 50Daylight in C-41 technically cross-processing? \u003cstrong\u003eA:\u003c\/strong\u003e This emulsion was designed originally requiring ECN-2 motion picture processing and may still be processed using ALL of those steps or with the \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs2-cine-simplified-ecn-2-bath-kit-low-contrast-motion-picture-color-negatives-for-ecp-scanning?_pos=3\u0026amp;_sid=241983fa4\u0026amp;_ss=r\u0026amp;variant=32487168344138\"\u003eCineStill Cs2 \"Cine Simplified\" kit\u003c\/a\u003e, resulting in a pulled contrast negative with lower gamma not suitable for RA-4 color darkroom printing. Although there is no remjet adhesive layer to contaminate and exhaust the chemicals, C-41 processing produces greater density and gamma which is more favorable for still photography workflows, including RA-4 color darkroom printing. Tests show favorable results in standard C-41 processing compared to ECN-2 motion picture lab processing performed by professional labs. For more details see the \u003cstrong\u003e“Notes”\u003c\/strong\u003e section below.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cbr\u003e\u003cspan\u003eStorage and handling: \u003c\/span\u003e\u003c\/strong\u003eLoad and unload film in subdued light. Store unexposed film in a refrigerator at 13°C (55°F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpiration:\u003c\/strong\u003e\u003cspan\u003e The new boxed CineStill film has an extended shelf life with less noticeable artifacts after expiration, but should be stored in the fridge and shot within 6 months of purchase to achieve optimal results. Exposed film should be processed promptly in C-41 chemistry to preserve latent image latitude and color fidelity. All current productions of CineStill have expiration dates for two years from manufacture date on the box. If you have earlier productions of 50D (no retail box) or your film does not have an expiration date, it is likely age fogged. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e\u003cspan class=\"notion-enable-hover\"\u003eNotes:\u003c\/span\u003e \u003c\/strong\u003eLong term archival stability has not been tested past 9 years. Expectations for archival longevity should be somewhere between Kodachrome and most C-41 films. We will replace any roll that shows manufacturing defects. We do not accept any liability beyond replacement of original film purchased. CineStill 50Daylight does indeed have motion picture DNA. Like any other color negative film (originally intended for motion picture or stills purposes), it can be processed in either C-41 or ECN-2 chemistry and yield a usable color negative. The difference between C-41 and ECN-2 processed films lies in the color contrast curves produced in development. Processing CineStill 50Daylight in C-41 chemistry (like our \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs41-simplified-color-processing-at-home-quart-kit-c-41-chemistry?variant=30376678593\" class=\"notion-link-token notion-focusable-token notion-enable-hover\" rel=\"noopener noreferrer\" tabindex=\"0\"\u003e\u003cspan class=\"link-annotation-unknown-block-id-1848098553\"\u003eCs41 “Color Simplified” Kits\u003c\/span\u003e\u003c\/a\u003e) yields standard C-41 color negatives that scan great using a variety of scanning workflows and have the color contrast curves intended for RA-4 color darkroom printing. Processing CineStill 50Daylight in ECN-2 chemistry (like our \u003ca href=\"https:\/\/cinestillfilm.com\/products\/cs2-cine-simplified-ecn-2-bath-kit-low-contrast-motion-picture-color-negatives-for-ecp-scanning?_pos=3\u0026amp;_sid=51f689950\u0026amp;_ss=r\u0026amp;variant=32487168344138\" class=\"notion-link-token notion-focusable-token notion-enable-hover\" rel=\"noopener noreferrer\" tabindex=\"0\"\u003e\u003cspan class=\"link-annotation-unknown-block-id-1974585222\"\u003eCs2 “Cine Simplified” Kits\u003c\/span\u003e\u003c\/a\u003e) yields ECN-2 negatives that have lower contrast and whose unique ECN-2 color contrast curves are better suited for the motion picture film scanning\/printing workflows; as such, they don’t print particularly well with the RA-4 color darkroom printing workflow that is designed in conjunction with C-41 negatives’ color contrast curves. Users are welcome to experiment to see which type of color negative (C-41 or ECN-2) they prefer the look of, but we recommend starting with C-41, which will give more options should you want to RA-4 print your 50Daylight pictures someday. \u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Roll","offer_id":31389511483466,"sku":"50D-120","price":17.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD01343-Edit_bf1530bd-8c81-40b4-99d6-29f6a6fcaca6.jpg?v=1736293968"},{"product_id":"bwxx-double-x-bwxx-black-and-white-negative-film-iso-250-120-roll","title":"BwXX Black and White Negative Film, 120","description":"\u003cp\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eCineStill BwXX 120\u003c\/strong\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e \u003c\/span\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003eis a classic, panchromatic B\u0026amp;W negative film for both outdoor and studio use. It has a variable base sensitivity of ISO 250 under daylight (5500K) and ISO 200 under tungsten lighting (3200K), and can be rated up to ISO 1600 with the appropriate processing compensation (push-processing).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eIdeal for low light situations, \u003cmeta charset=\"utf-8\"\u003ethis film delivers rich blacks, a broad tonal range, high sharpness, and a fine grain structure. It is an excellent choice for those looking for a classic, cinematic B\u0026amp;W film stock. \u003c\/p\u003e\n\u003cp\u003eSome of the iconic movies filmed on this classic B\u0026amp;W motion picture film emulsion include:\u003c\/p\u003e\n\u003cp\u003eOppenheimer (2023), \u003cmeta charset=\"utf-8\"\u003eMalcolm \u0026amp; Marie (2021), The Lighthouse (2019), \u003cmeta charset=\"utf-8\"\u003eFrantz (2016), \u003cmeta charset=\"utf-8\"\u003eAferim! (2015), \u003cmeta charset=\"utf-8\"\u003eAmerican Horror Story (2011-2017), \u003cmeta charset=\"utf-8\"\u003eI'm Not There (2007), \u003cmeta charset=\"utf-8\"\u003eCasino Royale (2006), \u003cmeta charset=\"utf-8\"\u003eCinderella Man (2005), \u003cmeta charset=\"utf-8\"\u003eKill Bill: Vol. 1 (2003), \u003cmeta charset=\"utf-8\"\u003eMemento (2000), \u003cmeta charset=\"utf-8\"\u003eSchindler's List (1993), \u003cmeta charset=\"utf-8\"\u003eKafka (1991), \u003cmeta charset=\"utf-8\"\u003eStranger Than Paradise (1984), Raging Bull (1980), Manhattan (1979), and many many more.\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cstrong\u003eRecommended development:\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/cinestillfilm.com\/products\/d96-bw-motion-picture-developer\" target=\"_blank\"\u003eCineStill D96 B\u0026amp;W Motion Picture Developer\u003c\/a\u003e or \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/cinestillfilm.com\/products\/df96-developer-fix-b-w-monobath-single-step-solution-for-processing-at-home?variant=7367677247522\" target=\"_blank\"\u003eCineStill Df96 \"Developer\u0026amp;Fix\" B\u0026amp;W Monobath\u003c\/a\u003e, but is compatible with almost all other B\u0026amp;W film developers. For more detail, reference the \u003ca rel=\"noopener noreferrer\" href=\"https:\/\/cinestillfilm.com\/pages\/bwxx-dev-times?_pos=3\u0026amp;_sid=84bfe763d\u0026amp;_ss=r\" target=\"_blank\"\u003eCineStill BwXX Developing Times Chart\u003c\/a\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage and handling:\u003cspan\u003e \u003c\/span\u003e\u003c\/strong\u003eLoad and unload film in subdued light. Store unexposed film in a refrigerator at 13°C (55°F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place.\u003c\/p\u003e\n\u003cp\u003eIt is thanks to all the dedicated film shooters out there that we were able to bring such an exciting new film stock to the market. For all the silver halide enthusiasts out there, we hope you'll enjoy shooting this film as much as we do!\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003ciframe title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/ZYA5QoXNuto\" height=\"315\" width=\"560\"\u003e\u003c\/iframe\u003e\u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Roll","offer_id":37512633385132,"sku":"bwxx-120","price":14.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD01339-Edit_e2d43ea2-d52e-4481-a07e-9a0b557764bb.jpg?v=1726153058"},{"product_id":"redrum-red-scale-color-negative-film-iso-200-120-roll","title":"REDRUM 120 Red Scale Color Negative Film, ISO 200 120 Roll","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eHeeere's\u003c\/span\u003e REDRUM!\u003c\/strong\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cstrong\u003eAll work and no play makes film a dull photo. Try experimenting with REDRUM 120 medium format red scale film.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff2a00;\"\u003e\u003cem\u003e\u003cstrong\u003eLimited run, while supplies last. \u003c\/strong\u003e\u003c\/em\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eCome and play with this limited edition, u\u003cspan\u003enique color negative film that has been reverse-rolled for exposing through the base of the film, rather than directly to the emulsion. Enter room 237 to produce dramatic red, yellow, and orange toned images.\u003c\/span\u003e \u003c\/p\u003e\n\u003cmeta charset=\"UTF-8\"\u003e\n\u003cp\u003eProduced using CineStill’s 800T emulsion, this film is uniquely appropriate for red-scale photography because there is no anti-halation layer to disrupt the light, resulting in higher speed (ISO 200), better sharpness and color.\u003c\/p\u003e\n\u003cp\u003eGet this limited edition film while you can because you won't be able to shoot it forever, and ever, and ever. \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFEATURES\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eColor negative film\u003c\/li\u003e\n\u003cli\u003eRed scale film - monochromatic red, yellowish hues\u003c\/li\u003e\n\u003cli\u003e120 medium format\u003c\/li\u003e\n\u003cli\u003eEI 200\u003c\/li\u003e\n\u003cli\u003eSafe for C-41 photo lab processing\u003c\/li\u003e\n\u003cli\u003eFactory spooled\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Roll","offer_id":40398963638444,"sku":"REDRUM-120","price":13.99,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD04061-Edit_c91d11b8-1d56-454a-b685-85d96a04ab10.jpg?v=1724271191"},{"product_id":"400dynamic-120","title":"400Dynamic Versatile Color Negative Film, 120","description":"\u003ch1\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan class=\"notion-enable-hover\" data-token-index=\"0\"\u003eNOW AVAILABLE IN 5-ROLL PROPACKS AS WELL AS SINGLE ROLLS!\u003c\/span\u003e\n\u003c\/h1\u003e\n\u003cp\u003e\u003cstrong\u003eCineStill 400Dynamic\u003c\/strong\u003e is a fine-grain, daylight-balanced color negative film that delivers a soft color palette with natural saturation and rich, warm skin tones. The film has a wide dynamic range with a base sensitivity of ISO 400, \u003cmeta charset=\"utf-8\"\u003ebut can be rated from 200 to 800 (without push processing) and pushed up to 3-stops\u003c!-- notionvc: 2556b611-e17d-4a31-998b-4c2a31fb3846 --\u003e. This makes the film highly versatile, usable both indoors or in the studio, under virtually any lighting conditions.\u003c\/p\u003e\n\u003cp\u003eIn 2022, we announced our \u003ca href=\"http:\/\/cinestillfilm.com\/400D\" title=\"400Dynamic Film Maker Campaign\"\u003e400Dynamic Film Maker Campaign\u003c\/a\u003e with the goal of bringing a new 400 speed, daylight-balanced color film to the photo community in 35mm, 120 Medium Format, and with the stretch goal of 4x5 Large Format. Thanks to the amazing \u003ca href=\"https:\/\/cinestillfilm.com\/pages\/cinestill-film-makers\" title=\"CINESTILL FILM MAKERS\" rel=\"noopener\" target=\"_blank\"\u003eFILM MAKERS\u003c\/a\u003e that supported the campaign, we were able to successfully create this film in all 3 formats.\u003cbr\u003e\u003cmeta charset=\"UTF-8\"\u003e\u003c\/p\u003e\n\u003cp\u003e400D was specifically designed for still photography to be processed in C-41 chemistry by any photo lab or at home. In addition, it also features a process-surviving anti-static lubricant coating ideal for both manual SLRs and automatic winding cameras. This film continues CineStill’s ongoing tradition of cinematic film emulsions made for still photographers, allowing them to maximize their creativity and produce remarkable images that express who they are as artists.\u003c\/p\u003e\n\u003c!-- SnapWidget --\u003e\n\u003cp\u003e\u003cscript src=\"https:\/\/snapwidget.com\/js\/snapwidget.js\"\u003e\u003c\/script\u003e \u003clink href=\"https:\/\/snapwidget.com\/stylesheets\/snapwidget-lightbox.css\" rel=\"stylesheet\"\u003e \u003cscript src=\"https:\/\/snapwidget.com\/js\/snapwidget-lightbox.js\"\u003e\u003c\/script\u003e \u003ciframe src=\"https:\/\/snapwidget.com\/embed\/1030698\" class=\"snapwidget-widget\" style=\"border: none; overflow: hidden; width: 100%;\" title=\"#CineStill400D Scrolling\"\u003e\u003c\/iframe\u003e \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRECOMMENDED ACCEPTABLE EXPOSURE FOR PUSH PROCESSING:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNo push - EI 200-800   \u003cbr\u003e1 stop push - EI 400-1000   \u003cbr\u003e2 stop push - EI 800-1600   \u003cbr\u003e3 stop push - EI 1000-2000\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStorage and Handling: \u003c\/strong\u003eLoad and unload film in subdued light. Store unexposed film in a refrigerator at 13°C (55°F) or lower in the original sealed package. To avoid moisture condensation on film that has been refrigerated, allow the film to warm up to room temperature before opening the package. Process film as soon as possible after exposure. Protect processed film from strong light, and store it in a cool, dry place.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExpiration: \u003c\/strong\u003eFilm is a perishable good. For best results, expose and process the film within the stated expiration date. Exposed film should be processed promptly in C-41 chemistry to preserve latent image latitude and color fidelity. \u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eThe first productions of this film had a 2 year expiration date at release. Over \u003c\/span\u003e\u003cspan\u003ethe past few years, we've \u003c\/span\u003e\u003cspan\u003econducted\u003c\/span\u003e\u003cspan\u003e thorough testing, \u003c\/span\u003e\u003cspan\u003eallowing us to\u003c\/span\u003e\u003cspan\u003e extend the expiration date for all future production batches \u003c\/span\u003e\u003cspan\u003eof 400D \u003c\/span\u003e\u003cspan\u003efrom 2 years to 3 years.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"CineStill","offers":[{"title":"Roll","offer_id":41344248873132,"sku":"400D-120","price":17.99,"currency_code":"USD","in_stock":true},{"title":"Pro Pack - Dated 06\/26","offer_id":44218594164908,"sku":"400D-120-5R","price":79.95,"currency_code":"USD","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0339\/5113\/files\/MOD06177-Edit_0aab059d-7522-4943-8dc5-ea3693aa18c3.jpg?v=1746190881"}],"url":"https:\/\/dealers.cinestill.film\/collections\/cinestill-120.oembed","provider":"CineStill Film","version":"1.0","type":"link"}